The Laws of Gestalt: How We Perceive the Visual World
Design Theory
Gestalt psychology reveals that our brain does not process visual elements in isolation but instead looks for patterns, order, and meaning in what we see. These laws explain how we organize visual information to better understand our surroundings, and they serve as essential tools for designers, artists, and visual communicators. Here is a brief explanation of the most important Gestalt laws to help you apply them effectively in your design projects.
Law of Proximity

The law of proximity states that elements physically close to each other are perceived as a group or unit. Our brain groups objects based on the distance between them, even if they do not share similar characteristics.
This is especially useful in design to organize information, create visual groupings, and facilitate reading. For example, in a menu or form, grouping related fields close to each other helps the user understand that they belong to the same category.
Law of Similarity

The law of similarity tells us that elements sharing visual characteristics like shape, color, size, or texture tend to be perceived as part of the same group. Unlike proximity, here similarity matters more than distance.
In design, this law is fundamental to creating visual coherence. For example, buttons of the same color and shape indicate similar functions, and navigation elements with similar styles are perceived as related.
Law of Continuity

The law of continuity indicates that our eyes prefer to follow smooth and continuous lines or patterns, even when interrupted. This causes us to perceive objects or trajectories as complete, even if parts are not visible.
This law is used in design to guide the user’s gaze through a composition, creating a natural and pleasant flow. For example, curved or diagonal lines can direct attention toward a focal point.
Law of Closure

The law of closure is based on our brain’s tendency to complete incomplete figures to form a complete and coherent image. Even if parts of an object are missing or absent, our mind “fills in” those gaps.
This law is especially useful in logo or icon design, where simplified or fragmented shapes are still perceived as whole, creating an interesting and memorable visual effect.
Law of Figure and Ground

This law explains how we perceive an object (figure) separated clearly from its surroundings (ground). The ability to distinguish figure from ground is essential to identify elements in an image and understand their context.
A classic example is the famous drawing that can be seen either as a vase or two faces looking at each other. In design, playing with figure and ground can generate impactful visual effects or convey hidden messages.
Law of Symmetry

The law of symmetry tells us that symmetrical shapes are perceived as coherent and organized units, conveying visual balance and stability. Even if a figure is complex, if it is symmetrical, it is perceived as a single entity.
In design, symmetry is used to create harmonious and visually pleasing compositions. Symmetrical designs often evoke a sense of order, professionalism, and trust.
Law of Prägnanz (Good Shape)

The law of Prägnanz, or good shape, states that our brain always interprets visual stimuli in the simplest, most stable, and orderly way possible. We seek clear and easy-to-understand configurations, avoiding ambiguous or chaotic forms.
This law is the basis for creating clean and effective designs. When you present a clear and simple shape, the message is conveyed better and the user processes the information with less effort.
Conclusion
The Gestalt laws are a set of principles that reveal how we visually perceive the world, organizing elements into meaningful patterns and units. Understanding and applying them can significantly improve your designs, facilitating visual communication and capturing your audience’s attention.